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Norwegian art came into its own in the 19th century, especially with the early landscape painters. Until that time, the art scene in Norway had been dominated by imports from Germany and Holland and by the influence of Danish rule. Initially with landscape art, later with Impressionism and Realism.〔(Painting from Norway Cultural Profile. ) Retrieved 28 November 2008.〕 ==The beginnings== Johan Christian Dahl (1788–1857) is often said to be the "father of Norwegian landscape painting". After a period in Copenhagen, he joined the Dresden school to which he made an important contribution. He eventually returned to paint the landscapes of western Norway, defining Norwegian painting for the first time. Another important early contributor was Johannes Flintoe (1787–1870), a Danish-Norwegian painter, known for his Norwegian landscapes and paintings of folk costumes. He taught at the School of Drawing (''Tegneskolen'') in Christiania from 1819 to 1851 where his students included budding romanticists such as Hans Gude and Johan F. Eckersberg.〔 Adolph Tidemand (1814–1876) studied in Copenhagen, in Italy and finally in Düsseldorf where he settled. He often returned to Norway where he painted the old Norwegian farm culture. His best known painting is ''The bridal procession in Hardanger'' (together with Hans Gude, 1848) and ''Haugianerne'' (''Haugeans'') painted in 1852. Norway’s new-found independence from Denmark encouraged painters to develop their Norwegian identity, especially with landscape painting by artists such as Kitty Kielland, 1843–1914, an early female painter who studied under Gude and Harriet Backer, 1845–1932, another pioneer among female artists, influenced by impressionism. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Norwegian art」の詳細全文を読む スポンサード リンク
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